For the first time since 2008, I have a new demo reel. This one finally has a quick breakdown of Blind Spot, and a lot of awesome shots from The Borgias.
He spoke about me working on the film:
The most difficult part of BLIND SPOT to complete was postproduction. The movie owes a lot of its power to my wonderful postproduction supervisor and co-producer, Mike Boers. He’s a fantastic visual effects artist, and was integral to bringing this film to life even during the scripting stage. We spent about five months working together on the CGI and compositing, using some beefy home computers and a lot of state-of-the-art software. Five minutes is a long time for any visual effects shot to hold up, and ours had to fill two-thirds of the screen for the entire movie. I am very proud of the effects we achieved for BLIND SPOT on such a minuscule budget.
[The] short speaks for itself: composed of a single shot, the film took a day to shoot at Pie in the Sky but post-production special effects took eight months to complete, between Nayman and his longtime collaborator, Mike Boers. Nayman hoped to keep the film ambiguous, as it grapples with a man so engrossed with everyday minutiae he doesn’t notice an apocalypse occurring outside his car window. “I’m hoping,” he says, “that some people read it as sci-fi and some people read it as darkly funny.” Sharp and aptly observed, audiences will read it as good filmmaking either way.
So far it will be screening on:
After the film's premier I will finally be able to publicly show the film (I will post it here) and make long overdue updates to my VFX demo reel. [edit: no longer the case]
You can watch the film on its website!
I recently watched a TED talk by Ralph Langner, lead of one of the teams attempting to reverse engineer the virus to determine its purpose. My original reaction on Twitter was:
The most terrifying part about this attack is that while it was highly targeted, all of the exploits and actions it took are remarkably generic and can easily be retargeted to many other types of systems. There are many targets, and they are very vulnerable. The community of engineers and developers working with these sorts of control systems have, up to this point, not felt the need for a level of security paranoia that many software systems presently require.
There is some good discussion in the comments on Reddit:
I recently discovered a charming web service called RoboHash which returns an image of a robot deterministically as a function of some input text. Take a gander at a smattering of random robots:
These would make an awesome fallback as an avatar for those without a Gravatar set up, since it will always give you the same robot if you enter the same email address. So of course I implemented it for this site!
I have finally figured out a way to process my raw Canon XF100 video files into Apple ProRes. I'm not satisfied with Final Cut Pro's log-and-transfer function, because that seems to require the footage to be transfered directly from the camera/card. I want to hold on to the original MXF files and be able to process them at my leisure.